XTC’s Colin Moulding & Terry Chambers reveal info on UK shows, EP vinyl edition
Ahead of a string of live shows scheduled this autumn for XTC co-frontman Colin Moulding and original XTC drummer Terry Chambers, Moulding has announced the vinyl release of their ‘Great Aspirations’ EP. Previously only CDs (both signed and unsigned copies) were available.
The duo has also announced that, in their live sets, “we will go for the more idiosyncratic songs that I wrote for the band, songs that were tucked away in corners. We seem to have gone where the tribute bands never go”.
These are the first live shows in 36 years for Chambers and Moulding, who just celebrated his 63rd birthday. After the first four dates sold out quickly, Swindon Arts Centre has extended their exclusive mini-residency with two new dates – on November 18 and 20.
The two legends have also revealed that George Wilding will be supporting TC&I by opening all shows for their mini-residency. Hailing from Avebury, Wiltshire, George is no stranger to Swindon, having recorded his ‘Being Ragdollian’ EP with producer Stu Rowe at Lighterthief Studios (Andy Partridge, Future Sound Of London, Shriekback, Paul Weller, Jen Olive),
Moulding and Chambers recently released their debut ‘Great Aspirations’ EP under the moniker TC&I. In addition to this new material, they plan to play a selection of the songs from the XTC catalogue written by Colin, several of which have never been played live due to the fact that the band stopped touring in 1982, not long before Chambers’ departure.
“These dates are probably commensurate with our output thus far. We’re not going to do the usual promoters’ circuit. Besides it’s kind of special this way. Like a stationary west end show or something,” says Colin Moulding.
The ‘Great Aspirations’ EP presents four new original recordings that showcase Colin’s English pop vision. This is the first new material from Moulding in many years with lead track ‘Scatter Me’, featuring XTC’s trademark qualities of melody, rhythm, variety, and idiosyncratic subject matter, mixed in with nostalgia fuelled by an understated political anger. Here, Moulding shows an appreciation of the good things, such as friendship, landscape and longing. Here he again reminds us of what we stand to lose in the name of progress, looking at the rapidly changing world around him.
