Psychedelic singer-songwriter Anton Barbeau has announced he will be releasing the ‘Manbird’ double LP on September 18 via Gare du Nord (UK) and Beehive Sound (USA).
This is a collection of new songs, written in Berlin and on a farm in Auburn, CA. The title takes inspiration from the film ‘Lady Bird’, a coming-of-age-in-Catholic-
Hitting the 30+ album mark, it would seem inevitable that this Berlin-based Sacramento-raised artist would release a bird-and-suitcase-themed autobiographical double album focused on his hometown. While reviewers always seem to refer to the holy triumvirate of XTC, Julian Cope and Robyn Hitchcock, ‘Manbird’ doesn’t reveal any obvious influence.
“I was in a world of my own making with Manbird. Every song on this album has a purposeful vibe, and my writing standards were high. I mean, who doesn’t want to live inside a double album odeled after Tusk, The White Album and 666?” asks Anton Barbeau.
Ahead of this new album, he released the ‘Manbird’ single with b-side ‘The Art of Beaking’, along with a video created by Julia VBH.
Musically, ‘Manbird’ is a Jungian travelogue of memories, dreams and reflections, with Barbeau’s unique blend of psychedelic salt-and-sugar pop augmented by unexpected elements that play a part in his story. His first ever song, ‘Cowboy John’, written when he was 8, follows punk-rock boxing anthem ‘Featherweight’, which morphs into the Hare Krishna chant. This anti-hero’s journey wends its way back home by way of krautrock drones, mockingbird solos, mushroomic nursery rhymes, British wyrd-folk and even a touch of 12-tone serialism.
Recorded in Berlin, Oxford, Paris and California, Barbeau deliberately tried to involve many Sacramento musicians, including Vince Di Fiore (Cake) and Jonah Matranga (Far). While Barbeau has worked with drummer Michael Urbano (Todd Rundgren, Neil Finn, Cracker) and bassist Larry Tagg for years, ‘Manbird’ marks the first time the Bourgeois Tagg rhythm section appears together on an Ant album. Other guests include wyrdfolk musician Sharron Kraus and Bryan Poole (Of Montreal/Elf Power).
In Oxford, Barbeau assembled a chorus of singers for the album’s final session. “I’d hoped to gather lots of singers for the record, to have a sort of Greek chorus answering me in various songs. I wasn’t able to put it together as hoped, and mostly, I’m acting as my own Greek chorus,” says Anton Barbeau, who also worked up a special “Oxford Variation” of the title track, featuring his Ox cronies Su Jordan, Sharron Kraus and Stornoway’s Jon Ouin.
“Maybe it’s the fate of an eternally ‘culty’ artist like myself that reviewers try, helpfully I think, to compare my work to that of better known acts to give the reader a point of reference. While my previous release, ‘Kenny vs Thrust’ featured a number of older songs with influence firmly on sleeve, ‘Manbird’ is the sound of me rubbing off on me, acting as my own influence,” explains Barbeau.
“There are a few moments where I play with the image of other acts I adore – ‘Fear of Flying’ is meant to have a taste of the drum sound from Fleetwood Mac’s ‘Brown Eyes’ and ‘Memory Tone’ was me trying to write an ABBA song! These are both bands I grew up disliking immensely. During the course of making Manbird, though, I fell firmly in love with both. I slip into ‘Bowie voice’ for a section of ‘Across The Drama Pond’and the bass is meant to have a bit of Devo to it, but all in the service of my new wave roots.”
As of September 18, the ‘Manbird’ LP will be available across online platforms, including Apple Music and Spotify, as well as on CD. It can be ordered directly from the artist via Bandcamp. Song-by-song notes, video, behind the scenes information and more can be found at antonbarbeau.com/manbird
CREDITS
Anton Barbeau – vocals electric guitar, tiny 12-string ping, sequential synths, TR-707, Mellotron
Michael Urbano – drums
Don Hawkins – fanciful gtrs (Ebow, amongst)
Allyson Seconds – backing vocals
Eric Broyhill – Mixing and mastering
Video by Julia VBH and Anton Barbeau
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