With an incredible story to share, Manchester-based synthwave artist Richard Evans has released his new retro-futuristic EP ‘Dream of the World’ via Cold Star Media. Recorded at Cold Star Studios in July 2023 after recovering from a life-threatening illness. It’s no wonder that the inspiring title track is about remaining positive even in the darkest times, as reflected in the accompanying video.
A British-Irish electronic musician, writer and digital media artist, Evans was previously keyboardist in UK cult band James, with whom he also co-wrote and recorded material. Previous to that, he was also guitarist and songwriter for St. Vitus Dancers.
This was no easy feat. Struck with Miller Fisher Syndrome, a rare debilitating auto-immune disorder (a variant of Guillain-Barre Syndrome) in 2022, it would require Evans’ full recovery, something that is not guaranteed to most people suffering from this ailment. He also had to learn to do everything all over again, including speaking, singing and playing music. But he managed to do exactly that, against the odds.
This superb 3-track EP follows Evans’ 2022 debut record ‘Sentinel’, an electro-pop concept album tthat touches on micro-plastics, gene editing, stardust, technogenic disasters, human evolution, among other themes, this superb eight-track collection telling the story of humanity at a tipping point and a world trapped in a climate crisis.
“‘Dream Of The World’ is a call to action in the face of an unrelenting climate crisis and, on a personal level, it reflects on a health situation that affected me in late 2022. I was diagnosed with Miller Fisher Syndrome, a rare auto-immune disorder that impacts around one in a million people each year and is a variant of Guillain-Barre Syndrome. I found parallels between the life-threatening aspects of the climate crisis and a condition which decimated nearly all of my body’s functions,” says Richard Evans.
“I literally woke up one morning in the midst of losing all muscle control. Over the course of a single day, I became unable to open my eyes, to sit, stand or walk, even to eat or swallow food. I was hospitalised for a month and for the first 10 days of this stay, there was a real risk of respiratory failure. Alongside a treatment plan, I kept going with positive visualisations, mentally depicting future times when I would be well again. If nothing else, this practice helped me find the strength to endure the most challenging experience of my life.”
Evans adds, “Once I was released from hospital, music became an important part of my recovery – learning to sing and play keyboards again helped me regain control of my arms, hands and facial muscles. For a long time I had double vision and didn’t have the concentration to work on a computer. However I could play piano for short periods and was able to resume some vocal work after a couple of months. This phase created an unexpected change in my writing process, which previously was built around riffs and sequences developed on a computer. ‘Dream Of The World’ was composed entirely with piano and voice.”
Richard Evans’ draws inspiration from real-world science, exploring biotechnology, machine intelligence and the environment. For this album, existing songs were refined and new material was written, combining the warmth of classic synths with pared-down lyrics that explore real-world subject matter.
The Song ‘Dream Of The World’ reflects how the climate emergency is met with procrastination and indifference from most governments and corporations, as if the switch to zero carbon is somehow beyond human control. The lyrics are also about facing mortality on a personal level, with Evans singing, “I won’t bow to the hand of fate”, emphasizing that we don’t always have to accept the hand we’re dealt.
With the sonically hypnotic effect of its single sequence and drum pattern, ‘2084’ is about those who deny science and convince others of a different reality, underscored by the lyrics “Hear the priests lie that black is white”.
‘Motherlode’ is a previously unreleased track, recorded during the ‘Sentinel’ sessions in 2021. It’s about the phenomena of algorithmic trading – flash trades – and how ‘the market’ advances in cities worldwide each day to relentlessly exploit planetary resources.
Richard Evans’ output extends well beyond the musical realm. He recently received a New Ideas Fund award from Creative UK to develop a virtual production studio. The award supports content for future stage shows and a new sci-fi short film, called ‘DeepSleep’, which was written and directed by Richard and is due for release in 2024.
Since the early 1980s, Evans’ independent creative projects have received nine awards from Arts Council England and a separate one from Creative England, in addition to being commissioned for various projects by the University of Manchester and the Manchester Science Festival.
Evans also wrote, directed and produced the science fiction drama ‘AEON‘. An author of many short stories, he also published the novel ‘KOSMONAUT ZERO’(via Dead Ink), researched at Star City Cosmonaut Training Centre. He also oversaw the ‘Gagarin 50’ exhibition for the 50th anniversary of the first human spaceflight by Yuri Gagarin.
‘Dream of the World’ is out now, available everywhere online, including directly from the artist via Bandcamp.
CREDITS
Music, lyrics, vocals, programming by Richard Evans
Recorded at Cold Star Studios
Mixed and produced by Hervé Girardin
Graphic design by Lee Baxter
3D wireframes by PJB Creative Media
Mastered by Digitalflesh Audio Mastering
With thanks to Arts Council England, Creative England, Manchester Science Festival, Waterside Arts and the University of Salford
Released by Cold Star Media
TRACK LIST
1. Dream Of The World
2. 2084
3. Motherlode
FOR SHARING
‘Dream of the World’ video https://youtu.be/Jcqz3ZFenrE
‘Dream of The World’ EP https://richardevans.
Spotify https://open.spotify.com/
Order the single https://distrokid.com/
“A beautiful performance” ~ The Guardian
“While new wave has been around for quite some time, Richard Evans cleverly summons all the best elements of the genre, tastefully packaging them with thoughtful lyrics in a way that is completely fresh and forever young” ~ The Spill Magazine
“Commendable, not only for its allure and catchiness (with elements of Rational Youth, Pet Shop Boys and Jean-Michel Jarre), but also for taking on such topical subject matter as technogenic disaster, environmental devastation and our skewed outlook on our dire prospects as Earth’s inhabitants” ~ Ampify Music Magazine
“A standout musical event” ~ The State of the Arts
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